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RESCENE to release Pretty Girl remake at 6 p.m.

Newsis said RESCENE will release the remake single Pretty Girl at 6 p.m. on the 8th, following regional ambassador activity tied to the hometowns of its members.

RESCENE to release Pretty Girl remake at 6 p.m — KWaveWire editorial desk codex hero
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Newsis reported that RESCENE will release the remake single Pretty Girl on music services at 6 p.m. on the 8th. The outlet said the release brings the group back to music activity for its summer comeback.

According to Newsis, the group gained attention after Woni and Minami used the phrase Geoje yaho! in personal content, a form of local communication the article connected to a chart rebound for LOVE ATTACK. Newsis said LOVE ATTACK, the title track of the 1st mini-album by RESCENE, reached No. 2 on Melon Top 100 and No. 3 on the daily chart.

Newsis said RESCENE has been appointed regional ambassadors in areas linked to the hometowns of its members, including Geoje, Suwon, Gyeongju and Goyang Special City. The article said that activity brought the nicknames Blue Marble idol and new national idol.

The report said Pretty Girl was released in 2008 by KARA, described in the article as a 2nd-generation girl group. Newsis said RESCENE is presenting the confident energy associated with KARA in a bright and dreamy style associated with RESCENE.

The outlet said the previously released digital cover and music video teaser used a pink-toned, kitsch design and visuals with a Y2K feel. According to Newsis, the teaser showed members giving up while choosing clothes, playing under a blanket and walking forward near the end, which the article said highlighted the identity of the RESCENE version of Pretty Girl.

Newsis said the fandom RE:MINE has recently carried out voluntary regional campaigns centered on areas where RESCENE works as an ambassador. The article also said industry responses have described the activity of RESCENE as worth attention in a current music scene it described as having many groups with grand presentation but fewer artists with intimate emotional ties to the public.

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